Indian cricket at the moment is going through its biggest transition, one which loomed large for the longer part of everyone’s discussion but to everyone’s surprise, the think tank didn’t show enough guts to address it. And as expected, the results have left the team unprepared and the entire thing looks unplanned. Given the fact that India has always been a batting superpower, the retirements of Dravid and Laxman have left a huge vacuum in the middle order. But for a change, I won’t delve deep into discussions about retirements and replacements, present and future, I would simply say, I’m sad. Yes, I’m sad about not being able to see the Terrific Trio in action anymore. The trinity that treated us with such mellifluous partnerships, match saving innings, winning moments, won’t be at work together anymore.
That
for me ends the era which produced a galore of melodious moments, lyrical
brilliance, silken success and flowing beauty!
Cricket for me, like
many others who are reading this, is the first love; cinema comes a close
second. And music is a regular in my day-to-day life. And strangely enough, I
always manage to find something musical in both cricket and cinema. Music binds
together both my love affairs.
“After silence, that which comes nearest to expressing the inexpressible
is music” – Aldous Huxley.
Huxley couldn’t have
been more correct when he spoke about music in the aforementioned way. Music is
a part of life to many of us. Especially, we, the Indians, have a big appetite
for all forms of entertainment – cinema,
music and cricket. Right from times unknown, there are traces of music deeply
rooted in the Indian soil and not so surprisingly, there’s a song for every
possible occasion in our lives too. A song on the birth of a child, a song on
death, a song for love and a song for sorrow, all stages of life if not
melodious literally, does have a musical background.
Coming back to my
love affairs, the combination of cinema and music is outright obvious, but
cricket and music is something different. On that note (hopefully, a musical
one), I will strive to draw a parallel between cricket and music.
The chords, The lyrics, The vocals. |
Spare a thought! The
wonderful trio that Dravid-Tendulkar-Laxman formed in the middle order of the
Test outfit can be actually compared to the basic elements of a song. For
starters, the three most basic and indispensable elements of a song are its
chords, lyrics and vocals. Chords are better known as the dhun, lyrics are the bol or
shabd and vocals is the awaaz. For any song, the chords frame
the base or the body, lyrics immerse in the chords and vocals present the
combination to produce the song as a whole. Take any of these elements out of
the picture and you would have ‘nothing’. Interdependent on each other yet
strong as an individual, all these elements don’t create the magic even if one
goes amiss. Same is the case with the trinity we are talking about.
Chords frame the
skeleton of the song, the base on which a song is built and creates space for
other elements to come in. No one can think of anyone other than Dravid who fit
the bill in this aspect. He set the tone, assessed the conditions, carved a
platform and readied it for others to build on it. Chords and Dravid are
synonymous to each other. Just like chords readily embrace lyrics to stitch the
outfit of a song, Dravid, all throughout his career built the stage for others
to perform.
Next in the process
is the entry of lyrics. Poetic and meaningful, artistic and style coupled with
substance, mark the very essence of lyrics in a song. The Very Very Special
(VVS) Laxman brought all of this in one package. His batting brought meaning to
the plans, his silken timing and wristwork talk of style, his memorable knocks
showcase the substance he had and his overall batsmanship/craftsmanship was
more often than not, regarded as elegance personified. Laxman for most of his
career came late in the middle order, needing to embrace the situation upon him
and he did that with aplomb. Just like lyrics dresses itself in the chords of
the song, Laxman took the team forward by establishing big tasks with relative
ease, on the platform laid down by his predecessors.
If not more important
than the above two elements, the vocals are considered to be at least as
important as them. The melody of the chords and the meaningful poetry which
frame the lyrics would all go in vain, if the vocals don’t bring the soul to
them. Vocals bring completeness to the song, so does Sachin Tendulkar to the
team. For more than a couple of decades, Tendulkar has been the voice of Indian
cricket. Just as a singer would lend his voice to a song after understanding
the chords and lyrics, Tendulkar has lent his skills, expertise and an
unchallenged vision to batting. For a chord to sound melodious and lyrics to be
poetic, the vocals need to be spot on and that is what comes together to bring
forth a mellifluous song. And in a similar way, Tendulkar is the one who sets
poetry in motion.
At times, you might
hum the tune. At times, you might find the lyrics enriching. And at times, the
quality of singing is extraordinary. But it is only when all of these come
together that the entire song becomes worthwhile. Dravid-Tendulkar-Laxman have
crafted so much melody together that the thought of it not coming together
anymore is disheartening. This dulcet song of Indian cricket will always
be remembered for the kind of magic it weaved for a decade and a half.
The music that we call, 'The Terrific Trio' |
Without music
(Dravid-Tendulkar-Laxman), life would be a mistake. Words fall short when one
strives to describe its true essence, it’s better to leave the magic do its
tricks and be spellbound yourself.
At
times, “Writing about music is like
dancing about architecture..”
This
article speaks about the sadness of not being able to watch the Terrific Trio
together anymore. This was written on the 18th August, 2011.